If your mix already boasts booming mids and you want to stick in a rap vocal, the result might be the sonic equivalent of jamming two angry UFC fighters in a phone booth. Naturally, then, we don’t want this range to be pressured in the instrumental. This average range is very active in the mids and high-mids. Yes, every voice is different but, for the sake of practicality, we can draw some averages here. Though not an instrument per se, the human voice has a range just like any other instrument.
This space-awareness concept flows nicely into the next essential step that needs to be addressed: the human voice. So if you’re having a hard time figuring out how to blend your rap vocals, zoom out and consider the overall picture: are there are too many voices that want to speak up? Bear in mind too that rap vocals are perhaps the most active leads you can have in a mix, due to the nature of rap itself.Īdd in the fact that rap vocals don’t simply impart rhythm and sound to the listener but also words that need to stand out, be processed and understood, and you’ll understand that rap vocals need to be granted considerable room in the mix. This may mean artistic sacrifices need to be made in order to get everything clear and just-so. Most of the time, though, you’ll want to treat your rap vocals as the lead elements of your mix. Rap vocals are not an instrument, nor are they sung vocals. In this tutorial, we’re diving into the crafty art of mixing and blending rap vocals in FL Studio by carefully guiding you through some of the most essential steps to steer your raps right. Sometimes, as a producer or audio engineer, you can encounter mixes that prove fascinating simply by virtue of how the audio sits and blesses your ear. Problems are posed right from the recording stage all the way through to the implementation of rap vocals into the stew of your mix. Mixing vocals is an intricate and often delicate art.
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